In this off-the-wall lifestyle magazine, host André Robitaille and his band of contributors report on the latest and greatest the scene has to offer.

Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.

Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.

In 1909, the Korean Empire is on the verge of losing its sovereignty to Japan. Patriot Ahn Jung-geun and his comrades pledge their lives to the movement for Korea's liberation. Seol-hee, a court lady of the late Empress, also expresses her intent to join the independence movement. Ito Hirobumi, the first Japanese resident-general on the Korean Peninsula, heads to Harbin to pursue his dream of advancing into Asia. On Oct. 26, 1909, a shot rang out at Harbin Station.
Beloved son, father of two children, and husband, Ahn Jung-geun, assassinated Ito Hirobumi. In court, Ahn claims not to be a terrorist, but a prisoner of war desperate to protect his beloved homeland, Korea. Who is the one guilty of a crime?

Journey through the history of black representation on television, showcasing how black artists and creators both shaped and revolutionized the medium while confronting the systemic challenges that have often undermined their contributions.

Journey through the history of black representation on television, showcasing how black artists and creators both shaped and revolutionized the medium while confronting the systemic challenges that have often undermined their contributions.

Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted